Congo Square is one of the most hallowed sites in American music history. This area, once a grassy commons behind the original city rampart (now Rampart Street), was one of several gathering places for enslaved people from Africa and their descendants. In the 1700s, under French and Spanish colonial rule, slaves were permitted to buy and sell goods on Sundays. They also played African-style musical instruments and performed dances that originated from their native homes. After New Orleans became part of the United States in the early 1800s, a city ordinance limited gatherings of slaves to this spot, and only until sunset. Still, the weekly ritual sustained a continuum of African culture in the New World, with profound implications for the future of music.

Congo Square is one of the most hallowed sites in American music history. This area, once a grassy commons behind the original city rampart (now Rampart Street), was one of several gathering places for enslaved people from Africa and their descendants. In the 1700s, under French and Spanish colonial rule, slaves were permitted to buy and sell goods on Sundays. They also played African-style musical instruments and performed dances that originated from their native homes. After New Orleans became part of the United States in the early 1800s, a city ordinance limited gatherings of slaves to this spot, and only until sunset. Still, the weekly ritual sustained a continuum of African culture in the New World, with profound implications for the future of music.